week 3 task

VLS: WS Very LS/wide shot
In the WS, the subject takes up the full frame. The feet will be almost at the bottom of frame, and the head almost at the top. The small amount of room above and below the subject can be thought of as safety room - you don't want to be cutting the top of the head off.
http://images.google.com.au/imgres?imgurl=http://www.video-animation.com/images/bcu.gif&imgrefurl=http://www.video-animation.com/vidcam_06.shtml&usg=__KdCt08TB4LAeXm5l5501M_fi5mA=&h=220&w=300&sz=3&hl=en&start=10&sig2=qQ5P-De0Rk-tIaiR4_EFoQ&um=1&tbnid=DwoRBoJQ87Ru6M:&tbnh=85&tbnw=116&prev=/images%3Fq%3Dbig%2Bclose%2Bup%26hl%3Den%26sa%3DG%26um%3D1&ei=HkGRSoi7HJOIkQW45t27Cg
LS: long shot
The point of this shot is to show the subject's surroundings. The EWS is often used as an "establishing shot" - the first shot of a new scene, designed to show the audience where the action is taking place.

MLS: medium LS
MLS Is adjusted for more action or motion in the frame. Actors can walk about; props can be seen in full.
http://images.google.com.au/imgres?imgurl=http://2.bp.blogspot.com/_ZTVIdAmpFiY/SfZ25otf4PI/AAAAAAAAB-w/k17ErjwJ7HA/s400/YoungFrankensteinCU.jpg&imgrefurl=http://simuli.blogspot.com/2009_04_01_archive.html&usg=__R5pZHSgVkdkyJOBLOFTSwku1eUM=&h=240&w=320&sz=15&hl=en&start=9&sig2=FfwXH1TzvZMhw8NCXm4NLA&um=1&tbnid=TFb7O2aKxHMUlM:&tbnh=89&tbnw=118&prev=/images%3Fq%3Dmidium%2Blong%2Bshot%26hl%3Den%26sa%3DG%26um%3D1&ei=gkWRSrGxHI2VkAWE6ty7Cg
MS: mid shot
The MS shows some part of the subject in more detail, whilst still showing enough for the audience to feel as if they were looking at the whole subject. In fact, this is an approximation of how you would see a person "in the flesh" if you were having a casual conversation. You wouldn't be paying any attention to their lower body, so that part of the picture is unnecessary

MCU: medium CU
It Includes the whole upper carriage like a traditional bust. The way someone holds their shoulders and back conveys a lot of information about their character. An MCU is far enough away to give the subject a respectable amount of space, but close enough to see their face.
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CU: Close Up
should be significantly tighter than the MCU, typically including the collar, but not much of the shoulders. The emphasis here should be on the facial expression, not on body movement. Because the CU is all about the subject's face, it encapsulates their identify, which is why it's the perfect shot to answer who.
http://images.google.com.au/imgres?imgurl=http://www.kenstone3.net/fcp_homepage/images_language_of_film/ECU_Dav.jpg&imgrefurl=http://www.kenstone.net/fcp_homepage/language_of_film.html&usg=__WpNpmDAgi7sQoDJZxh_Vd6zXePk=&h=276&w=622&sz=33&hl=en&start=4&sig2=-nhMnlks5qft7Bj0Lsy6MQ&um=1&tbnid=4j5_8SnlTdD4-M:&tbnh=60&tbnw=136&prev=/images%3Fq%3Dbig%2Bclose%2Bup%26hl%3Den%26sa%3DG%26um%3D1&ei=sUiRStmXKNSWkQXUqby7Cg

BCU: Big CU
ECU：Extreme CU
is so close that only part of the actor's face is visible. This angle can be used very powerfully at highly emotional moments. Save the extreme close-up for such emotional moments.